Morocco arabic dating and married
Original green paper–covered light pictorial boards, rubbed and edgeworn with corners bumped; five inches of spine paper detached but present (laid in).
Previous owner's purchase note on front pastedown; interior otherwise unmarked.
The title-page bears the iconic Estienne olive tree device, and the text is neatly printed in single and double columns using italic and roman type with a few words in Greek. of the 7th to the 17th centuries, described and gorgeously illustrated by an artist and historian who was elected a Fellow of the Society of Antiquaries of London.
This later printing features Publisher’s grey cloth with light and dark blue lettering on spine and front board, decorated with images of a plum tree (get it?? Martini Luthers seliger gedechtnis, an die Theologos auff den Reichstag zu Augspurg geschrieben, Anno M. Flacius wished to remind Protestants that Luther's stances on many of the issues addressed by the Augsburg Interim were at odds with the contents of that document — which Luther himself could not do, as he had died in 1546. 0.00 of this account of the Estiennes and other important printers of their milieu, including much information on, excerpts from, and commentary on classical literature (many quotations being supplied in English translation in addition to the original languages) as well as details of political, cultural, and religious history of the time. William Parr Greswell, known as a scholar of Parisian typography, and the title-page attributes the editing to his son Edward Greswell. The text is for the most part printed in an attractive italic — the Hutten German text being an exception, in black letter — with 19th-century straight-grained red morocco, spine with gilt rules and gilt-stamped club, scepter, and wreath motif in compartments; covers framed in single gilt fillet and elegant gilt roll, board edges with single gilt fillet, turn-ins with gilt Greek key roll. Spine stamped “Rel[iure] p[ar] Bozerian Jeune,” i.e,. 00.00 Torrentinus' Elucidarius vel vocabularius poeticus, also published under the title Parvum dictionary poeticum, is the earliest known historical, mythological, and geographical dictionary. 20th-century boards covered with vellum-like paper. Light age-toning with very light waterstaining across corners at end and some light foxing to margins elsewhere; very good and in fact for a “student book” remarkably good. This poem celebrating the works of God in the Creation is written in dactylic hexameter and employs much classical vocabulary, while at the same time showing the influence of liturgical Latin — not an uncommon stylistic combination at that time. Evidently Pickering bought a part of the edition and inserted his own title-page” (Keynes). On the first edition, see: Schreiber, Catalogue 37, no. 18th-century speckled calf, spine compartments stamped and lettered in gilt, board edges decoratively rolled in gilt, all edges speckled red; rubbed with some loss of leather to corners and top/bottom of spine. His skill and consistency are apparent in both the text and portraits on steel plates” (Bromer & Edison, p. Once the engraving was accomplished the work was transferred to a lithographic stone for actual printing, the whole process being called “transfer lithography” (Bain, p. Orchid-colored paper, wrappers with gilt-stamped lyre and wreath motif, all edges gilt.Title-page a little dusty; very faint soiling or staining on a few leaves. (38027) : “Patience games, as the term is usually understood, are card games for a single player who plays against fate or chance, represented by the more or less favorable arrangement of the cards at the outset of the game” (p. Angelo John Lewis (1839–1919), a lawyer and prominent writer on magic who published a number of significant works of his own, claimed to have translated this card game book from the “original” German, although its true first appearance appears to have been in French attributed to the Comtesse de Blanccoeur. Leaves faintly darkened at edges, with a few small edge chips to first and last few. Small armorial rubber-stamp of Christian symbolist and archaeologist Louis Charbonneau-Lassay on first and last leaf of text, with his gift inscription to “le Comte François de Rilly” (i.e., François Odart de Rilly d'Oysonville) dated 18 March 1929 on front endpaper; most recently in the library of American collector Albert A. This is a later edition, following the first printing ca. Though the work appeared several times in the 15th and 16th centuries, none of these early printings are widely held, and searches of World Cat, COPAC, and the NUC reveal From the library of American collector Albert A. Booklabel and tabs as above, light age-toning, thin line of waterstaining along leaf edges. Both boards with a simple gilt triple-fillet border, board edges with a single gilt fillet, turn-ins gilt-tooled with an intricate roll. In which the latter is reduced to rule, and the former inculcated on principle. World Cat locates only eight copies of this second edition, including one in the library of the American Kennel Club. [then in Latin] Florilegium diversorum epigrammatum in septem libros distinctum, diligenti castigatione emendatum. Hutton believes that this edition and that published by Nicolini in 1550 are virtually identical. The Planudean Anthology was Brown pigskin, top and bottom of round spine with a gilt hash design repeated on raised bands; compartments defined by gilt double-fillets and with a gilt center device of a flower. The wood engravings are printed from the original blocks from Bewick's atelier; however, many of the tailpieces differ from those of the first edition. 00.00 of Pope Clement VIII's ceremonial entrance into Bologna in 1598, depicting the arches and other architectural features designed by the celebrated painter Guido Reni for the pope's visit. in Inclyta urbe Arimino): in Officina Erasmi Virginei, 1552 [Iulli. Tusser (1524–80) was himself a farmer and one of the earliest known pastoral English poets. Mid- to late-19th-century half brown calf with marbled-paper sides and gilt lettering to spine; edges and boards lightly rubbed and minor wrinkling to spine; bumping to fore-edge of boards. Before her emigration to America (caused by ruined fortunes in Europe), Margaret was the Countess Marguerite, daughter of Count Jules du Planty de Sourdis; she was most commonly known as La Marquise de Fontenoy or the Countess du Planty. Thus, this is the first printing of the Latin text outside of Geneva, for the 1561, 1562, and 1569 edition all appeared there (the 1570 edition was an English-language translation from a London press). From the library of American collector Albert Howard, small booklabel (“AHA”) at rear. Modern boards with vellum (or vellum-like) covering. Light staining or smudging in some margins; a few marginal jottings in old ink. (37837) Sequel to the Comic History of England: An amusingly interpreted — but, broadly speaking, generally accurate — history of Rome from its founding through the fall of Caesar, written by one of the original staff members of Punch. Binding as above, moderate rubbing to edges and extremities with top of spine pulled, gilt vignettes showing slight rubbing. of 1520 following the two editions of 1519, all printed by Johann Schönsperger and with rather different title-pages as to layout of the type, whether printing is black and red or just black, and whether the jester image has a border.Lewis used the pen name “Professor Hoffmann” for fear that his magical pursuits would damage his professional reputation as a lawyer. More impressively attractive and sturdier by far than listing of faults suggests! 50.00 of these poems dedicated to Marguerite de Valois, addressing numerous people including Anne de Montmorency, Jean du Bellay, and Charles de Lorraine, from “the first major Neo-Latin poet of France” (The Oxford Handbook of Neo-Latin, p. The text is neatly printed in roman and italic with fleurons marking the start of each poem and Signed 19th-century red morocco, covers triple-ruled and spine compartments stamped and lettered in gilt; board edges double-ruled in gilt, arch and daisy gilt roll with dentelles on turn-ins, marbled endpapers. A view of the early Parisian Greek press; including the lives of the Stephani; notices of other contemporary Greek printers of Paris; and various particulars of the literary and ecclesiastical history of their times. Cui nonnulla nuper inventa in fine adiecta sunt, una cum indice tam rerum, guam auctorum copiosissimo. He also notes that the ten leaves immediately after fol. Covers framed with triple gilt fillets, each corner with a small blossom; board edges with gilt triangle-and-dot roll; turn-ins tooled in gilt using two different rolls separated by a single gilt fillet. Drury Harroviae” at the top of front fly-leaf (and with five lines of his neat, small hand-written notes below that); his books were sold in 1841. Also, this edition adds “Sir Peny” from a Cottonian manuscript that was not included in the first edition. The five full-page images were copper-engraved from Reni's vividly rendered sketches of his own designs, with an additional vignette of the arms of Bologna on the title-page and Benacci's printer's device on the final page. His poem as eventually expanded into the immensely popular Five Hundreth Pointes of Good Husbandrie was widely read, but he never made his fortune; he remained a humble farmer, moving throughout England. The poems interspersed throughout this work and signed “M. Publisher's green cloth with gilt and white-stamped lettering and decorations including the titular emerald and ermine. Bound as above, pretty binding bright and clean. Front pastedown with armorial bookplate of lawyer and historian Guido Kisch (1889–1985, son of Rabbi Alexander Kisch and brother of medical historian Dr. Contemporary vellum, spine with early hand-inked title replacing now-absent title-label; worn, especially at extremities, and cocked with vellum split over front joint (sewing holding) and front cover with insect holes. Searches of Wold Cat, NUC, and COPAC locate only one copy in the U. (Newberry Library) and one in Britain (British Library). Originally issued serially in parts, the work appears here in a very early book-form edition. Leech's designs feature historic figures with a delightful contemporary spin, including Romans wearing top hats and greatcoats, dancing ballroom waltzes, and checking pocket watches, with the clever visual allusions and the tone of the text combining to suggest Publisher's textured green cloth, front cover and spine with gilt-stamped vignettes. Early pencilled ownership inscription in upper portion of first text page; some plate leaves a bit more age-toned than others or than text leaves. 00.00 In the annals of early Westerners writing about China, the members of the Society of Jesus rank high for the quantity and quality of their writings. In this copy the title-page is printed in black and red and has a borderless woodcut image of a jester seated on a tree stump playing a lute (six strings).Cyril Connolly's The Modern Movement: One Hundred Key Books from England, France, and America 1880–1950 included Night Flight as one of four books for 1931. ) foliage and an angler with a bite, black cloth spine with gilt lettering. A few signatures slightly more noticeably age-toned than others; occasional small ink spots, touching but not obscuring text or images; some pages with pencilled foliation., with a leaf listing offerings of “Bentley's Railroad Library” bound in opposite title-page.
The text, which opens with a wonderfully decorated title-page in black and red, presents Publisher's blue cloth with bevelled boards, gilt lettering to spine and front board, and black and red–stamped decoration of playing cards on front board. Bound as above; cloth darkened, edges and joints rubbed. Charmingly cased and signed by its celebrated author, a nice copy Fables choisies de la Fontaine illustrées de 65 compositions hors texte par J.-B. (37983) Salmonij Macrini Iuliodunensis cubicularij regij epitome vitae Domini nostri Jesu Christi, ad Margaritam Valesiam, Henrici Francorum regis sororem unicam. 288 (and before the blank leaf preceding the final leaf with the printer's device) are printed in“The Greek anthology,” as it is commonly known among Hellenists, contains poems, mostly in form of epigrams, spanning the Classical and Byzantine eras of Greek literature. Marbled endpapers of a French combed pattern and all edges gilt. English bookseller's catalogue entry pasted to verso of front free endpaper. Front free endpaper with difficult to decipher inked ownership inscription dated 1849, half-title with pencilled inscription: “Ex Armario Gulielmi Blaine Wootten.” Later in the library of American collector Albert A. NSTC 2R11684; Hugo, The Bewick Collector, 488; Kelly, Checklist of Books Published by William Pickering, 1833.9; Keynes, William Pickering (rev. Publisher's plain dark blue cloth, spine with printed paper label; cloth worn and faded, spine extremities and top of label chipped. Pages slightly age-toned, with edges untrimmed and dust-soiled; first and last few leaves lightly foxed. Complete copies of this work are seldom encountered and, while the present example is lacking signature C (including four plates), it still offers From the library of American collector Albert A. Brunet, I, 768 (for 1598 ed.); Cicognara, I, 1402 (for 1598 ed.); EDIT16 CNCE 5106; Mortimer, Italian 16th Century Books, 50. Searches of NUC and World Cat find fewer than a dozen North American libraries reporting ownership. 19th-century maroon calf, plain but with raised bands beaded; rose-color endpapers. Bruno Kisch), with inked inscription beneath: “Letztes Geburtstagsgeschenk des M. Endpapers slightly ragged; one internal blank leaf lacking. Steinbeck details the lives of two families, the Trasks and the Hamiltons, over multiple generations as he explores the nature of good versus evil. Louis Le Comte (1655–1728) began his novitiate in October 1671, was sent to China as a mathematician and a member of the 1687 Jesuit mission under the leadership of Jean de Fontaney, and returned to Europe in 1691. The cut has the letters “CH” in the lower left and “VG” in the lower right: “CH” being “Cunz Hass” and the “VG” being Urs Graf!